Jamaica Honeymoon - Day 1

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Jamaica, Day 1

Friday, November 2nd , ~ 8:09am, local time

I woke up several times to the luminescent glow in the sky of a Jamaican sunrise, stirring to the sounds of life’s reawakening to the smell of fresh fires and morning birds.  Looking out onto the rigid horizon, my view was divided in two — the sky and the sea — one blue, darker and in constant motion, while the other floated in its own lightness.  The semi-frequent car horn blared from the street, bringing me back to the march of civilization that we thought we left in New York.

Hungry, I waited as Heather ruminated on her back in a lounge chair.  She stared at the same dialectic view, but I know her eyes told her a different story.  She saw the way the light struck the different crests of the ocean, the way it played with the rocks, creating shadows and depth as geckos crawled between the dark and the light.  She heard the birds and the cars but she reached another plane of mind by sheer will, wrestling her otherwise purposeful mind into a peaceful submission.  It took a bit of effort, but she got there, perhaps reaching an even more placid mental state than my own.

Most things are competitions for us and why would relaxation be any different.  I told her while I was reading Shantaram that it seemed a task for her to sit still, that she should go start breakfast because 1) I was hungry, and 2) I thought that it would provide her productive mind with something to do.  She disagreed, saying that it wasn’t difficult, that she found no trouble or resistance in the open space of an unoccupied mind, but I could see the struggle.  The struggle of a relentless spirit meeting no opponent, of a force pushing forward to find no resistance, where effort was not rewarded but yielded to.  What does a warrior make of passivity on the battlefield where victory reveals nothingness?  Where there is no one to fight and nowhere to go but inside one’s heart?  I imagine the war is explosive and silent.  I’m just happy to see her relax.

I don’t know what to expect from our time in Jamaica, safely tucked into our Airbnb on the cliffs at Sundown Villa, somewhat immersed in the culture while staying at an arms length.  Before we arrived, dad and others preached caution, forewarning danger, but our host, Nadine, exudes nothing but the warmth Americans have come to expect from Rasta and Jamaican culture.  Clouded in the smoke of ganja, I hope to brush shoulders with locals and eat from their authentic tradition, whether from the street or between the walls of celebrated staples.  I hope to return to the States revitalized and hungry, rejuvenated yet ready to begin the search for our new home. 

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Turning 30 - "Am I Where I Expected Myself to Be?"

            30 is one of those milestone ages that makes us question every decision we’ve made in our lives.  Trapped inside our own heads we look at our regrets under a microscope, taking stock of the growth and decay of our insecurities.  30 forces us to be honest with ourselves because between all the excuses we’ve made over the years, the time has kept on ticking.  We finally ask ourselves: Am I where I expected myself to be at 30?

            I think most of us would say, “hell no! I expected to have a stable job, a significant other, and maybe even a house that would soon become a home.”  Turning 30 feels like a slap in the face to our youth and the mistakes we’ve made but in reality it’s a valuable signpost for the measure of our progress.  We need reality checks like 30 because otherwise we could go on making excuses while nobody listens.

            I personally stopped making excuses early, probably around 19 when I was academically suspended from my first university, SUNY Cortland.  Ironically enough, I still consider this mistake one of the best things that happened to me because it gave me a reality check that I very much needed.  For the next couple years, I proceeded to take time off from school, eventually enrolling back in a community college while taking on various jobs to identify my strengths and weaknesses.  I would later get accepted into an Ivy League institution only to turn them down and finish my undergraduate studies at the top of my class at CUNY Hunter in New York City.  The whole arc of those 11 years began with a reality check and now I’m taking stock of my choices.

            The only promise I made to myself by 30 was to become an internationally known poet.  Well, in November 2017, with the help of my fiancé, Heather, that became a reality when we published The Immeasurable Cookbook and sent copies to readers in Austria, Paraguay, and Portugal.  It was a high bar to set but I cleared it because I chose a good partner in Heather and always used writing as a platform to express my thoughts and channel my creativity. 

            Despite this achievement, the thing I’m most proud of at the age of 30 is my peace of mind.  Through my study of philosophy and my ten years of experience in hospitality I have recognized that mental health is our crown achievement given the complexity and perplexity of the human mind.  I’ve made most of my decisions from a rational disposition, but I’ve always consulted my conscience as a valuable litmus test for my happiness.  I believe that without our conscience, rationality can lead to cold, steely, logical conclusions; yet without our rationality, our emotions can steer us towards the volatile polarities in life.  My peace of mind comes from a drive to strike a balance, harkening to the doctrine of the mean from Aristotle and remembering that a happy life depends on a steady ship in rough waters.

            By 30 I have lived all around the United States, experienced love and heartbreak, success and failure, and the boring stuff in between.  I’m getting married in October 2018 to a partner who helps me stay focused on long term goals while I keep the ship steady.  With our eyes on the horizon we’re charting a course ready for a storm, yet carrying the reflection of the sunset in our eyes.  A reality check doesn’t have to be a bad thing as long as you realize you have to adjust your sails. 

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Nihilism: The Teenager's Escape from Reality

3.27.18  - 5004 Cody Street ~ 9:10 AM MT

            I’m starting to write at 9 today, which is a step in the right direction.  Once I spend a few minutes or hours sucking at the teat of mindless information it’s difficult for my mind to focus and get back on track.  When I first wake up my mind may be groggy but it’s the most clear that it will be all day. 

            Yesterday I helped a friend, let’s call him Mark, paint a room and we talked about everything from nostalgic video games (Link’s Awakening for Gameboy) to what animal we’d want to be reincarnated as (some type of bird).  He talked about that he doesn’t have much time to do anything and the time that he does have he enjoys being by himself and gaming, proclaiming that he has “no responsibilities to anyone but himself.”  At the time it seemed very appealing, carrying an air of total freedom, but I can’t help but think that it’s ironically one of the reasons he’s depressed.  He often uses it as a rationalization for sleeping in until noon and he never applies himself.

            I remember when I used to sleep in that late and I’d feel crummy.  It was tough to feel good about myself when I wasn’t leaving the stamp of my uniqueness on anything on any given day.  Floating through life is fine and all, but at some point I thought, “this is how you wake up middle aged never really doing anything.”  Pleasure and leisure can only get you so far but fulfillment lies in a putting in a concerted effort at something that you don’t mind doing over and over again, improving upon it every time.  When you sleep through the morning and coast through the afternoon, the only thing you get in exchange is whatever you’re dreaming about. 

            Heather helps me by pulling my productivity towards her end of the spectrum because that’s her default.  It’s also why we’re good together: because we bring each other towards a happy equilibrium.  Too much of anything is detrimental, just take either Mark or Heather by themselves—unhappy and caught in a cyclical pattern of what they know and what they feel comfortable doing.  I could definitely use some work getting pulled to the side of productivity but I tend to think I hover more around the center than either of them. 

            Mark also lets his cynicism paralyze his action in the form of anti-capitalistic nihilism.  He’s not wrong—it’s just too much for a human mind to carry with it, especially if you’re going to exist within the capitalistic structure and enjoy some of the luxuries it provides.  Perhaps I’m too cut and dry or I’ve bought into the system as well, but when you hold beliefs as strong as him I think that you have to either separate entirely, removing yourself from participation in the system as much as possible; or you come to grips with the futility of overthrowing it, accept the benefits it awards you, and you try to combat it in the most productive way that you can as an unique individual.  I don’t think he believes in some widespread Marxist revolution to overthrow the owners of the means of production (I used to) but I don’t see any value in nihilism.  It’s like a teenagers way out of the existential crisis of capitalism.

             

            My argument against nihilism is also the same one why I don’t harbor negative feelings towards people most of the time—because they don’t provide anything useful to me.  When you do things in life that have no positive purpose you are essentially keeping your needle close to neutral, perhaps even tilting towards the negative side of things, and I believe life is more than that.  You don’t have to achieve greatness, you don’t have to get a PHD or discover something new; all you have to do is try to leave the unique imprint of yourself somewhere everyday (with exception to intentionally hurting others), and try to err on the side of positivity. 

 

 

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It is Human to Feel

2.23.18 - Bookbar ~ 3:21 PM

            Lately I’ve been having a conversation with myself about my own potential.  Perhaps its listening to Steven Pressfield’s book, The War of Art, perhaps its serendipitous timing given my current “occupational struggles.”  Why don’t I just say “I can’t get a fucking job,” rather than dress it up like some piece of watered down reality?  I guess using phrases like these is a way for our brains to navigate the pain we feel when we have to accept a harsh truth of our reality. 

            My  current reality is that I am afraid of my own potential.  I’m afraid of putting myself out there, of putting a price tag on my work.  By remaining judgment free of others, I have carved out a place for myself to be safe from judgment as well, because I guess I’d rather live in comfortable anonymity than recognized splendor—or worse—recognized failure.  I’ve rationalized to myself for years that the reason I haven’t committed to a certain work is that I have always found a reason not to do it, a caveat that renders the effort futile.  But I’m just coming to grips with the fact that if I want to be a successful writer I need to: 

a) write (duh) and;

b) Not be afraid to approach my own potential.

            Even as I sit at Bookbar on Tennyson, surrounded by the clinks and clanks of glassware, I question my happiness with getting the job at Oasis Brewery.  It's another job that doesn’t push my limits, it's an atmosphere where I'm already comfortable-- it's safe.  By my failure to dedicate myself to my work, my tendency to take what's safe, and my contentedness with what I have: I have paved myself a history of mediocrity.   Growing pains are part of the deal when you enter a new industry or part of your life and I have spent my entire adulthood avoiding difficulty.  The only time I really reached for something was bartending at Henry’s Restaurant in NYC and I achieved it and quickly became complacent.  Even there, I wasn’t really pushing myself to master a craft. 

            The only thing I’ve exercised a great deal of self-control and awareness is in understanding social interactions.  As a friendly face, I have honed the ability to make people feel comfortable and welcome to say that which makes them vulnerable.  I’ve done this with a combination of eye contact and knowledge that we’re all insecure and unsure of ourselves, and I’m just willing to be the first one to admit it in a group.  When someone is overly sure of themselves it strikes me as arrogant, and I’d rather be vulnerable than overconfident.  That’s why I’m excited to open Apollo Fields with Heather.  I know I have the ability to make all of our guests comfortable and I know Heather will execute the production side of things or die trying.  I am so lucky to have found a partner so rational and understanding. 

            Back to the conversation on my potential -- I have learned that my biggest asset in writing is my power of description.  That I can transport the reader to a place of my creation and I can have fun doing it.

           All around me BookBar is buzzing with the comfortable speed of a café on a Saturday afternoon.  The patrons around me pluck away at their computers, while people seated on leather couches laugh in the background.  Money is exchanged over the counter and “have-a-nice-days” are cheerily spoke through the barista's lips.  There’s a comfort to cafés that I wish could plop in my living room, where people talk and jest in casual business.  I didn’t think about it, but you rarely find tie-wearing businessmen conducting conversations in cafés, probably because they mean business and its too important to be said over a coffee table.  Keep an eye out for them - they tend to seem out of place. 

            But here I sit, happily plucking away, a letter at a time from my worried consciousness, conjuring up sentences from seemingly nowhere.  They say that energy is neither created nor destroyed but where does creative energy come from?  Logic says that if it isn’t created, then it must live dormant in each of us until we call it forth to our mouths or fingertips.  A reassuring thought except for the creative individual during writer’s block-- “I have it in me somewhere, it has to be here!” like they're looking for a pair of lost keys stuck between couch cushions.  What am I writing anyway?  Or more accurately, why?

            I like to investigate the human condition, getting at why we behave the way we do in social settings and how we can better understand one another.  I like (not always) to be honest with myself, engaging in these wacky conversations because running away from them makes me feel like shit.  It makes me feel like the way I used to when I would lie to avoid my harsh truths of reality.  The way of life that really came to a head in my first semester at SUNY Cortland where I avoided my problems altogether.  Everyday I woke in dread of the problems I’ve swept under the carpet the night before; and every night I went to sleep in a cannabis-induced shame.  It takes courage to have these conversations but the alternative is a tepid reality laced with indifference, envy, and personal stagnation. 

It is human to feel—to ignore this is to ignore human life itself.

 

 

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